Technology Zones - Samsung’s PN60E6500 strikes an elegant balance between stunning
picture quality and affordability, making it one of the best values for
budget-minded buyers who still want a TV that will drop jaws.
For many years, Samsung was the answer to the question, "Which LCD
should I get?" While the company also manufactured plasmas, they
seemingly weren't a priority for Samsung or the public. But beginning in
2011 with the superb D8000 and D7000,
for example, the company demonstrated that it was serious about the
technology's picture-quality potential. That newfound determination
continues into 2012.
The Samsung PNE6500 is an excellent
television, with all of the features you need and few you don't. In
picture quality it's every bit the equal of the phenomenal Panasonic ST50 series.
The PNE6500's picture quality is also basically identical to that of
its significantly more expensive Samsung stablemate, the flagship PNE8000, with the same performance in key areas such as black levels and color accuracy -- making the E6500 an excellent value.
Full Specifications:
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Full Specifications:
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If
you were looking to spend between $1,000 and $1,500 on a
videophile-grade TV, the Panasonic TC-P50ST50 and the Samsung PN51E6500
are the two you should be looking at (no LCD comes close -- you'd need
to spend a big chunk more on something like the Sony KDL-HX850
to get near this level of picture quality). With online prices only $50
apart for the 50/51-inch versions, which should you choose? Brand
loyalty plays a part here, but each TV has its own unique strengths. If
you're looking for something a little bigger, the 60-inch models of each
will obviously cost you more, but they're still worth consideration at
under $2,000.
If I were buying a TV now, I would seriously
consider the PNE6500 for its more mature styling and better bright-room
performance, but some may prefer the overall contrast boost that the Panasonic ST50's brighter screen is able to bring, or want a 55- or
65-inch option. Regardless, both series offer the best picture quality
for the buck on the market today.
Design
While Samsung's LEDs have gone the skinny, skinny bezel route, technology dictates that its plasmas still have about an inch between the edge and the screen. While competitor Panasonic is still experimenting with its plasma designs, Samsung is sticking with its template of the last few years. The 6-, 7-, and 8-series plasmas all look the same, and as such the 6500 features a brushed black-plastic bezel and a black "octopus" stand (the other two have silver stands). The effect is understated, and while it's unlikely to win design awards the lack of flashy, reflective surrounds means you can concentrate on the picture.
While Samsung's LEDs have gone the skinny, skinny bezel route, technology dictates that its plasmas still have about an inch between the edge and the screen. While competitor Panasonic is still experimenting with its plasma designs, Samsung is sticking with its template of the last few years. The 6-, 7-, and 8-series plasmas all look the same, and as such the 6500 features a brushed black-plastic bezel and a black "octopus" stand (the other two have silver stands). The effect is understated, and while it's unlikely to win design awards the lack of flashy, reflective surrounds means you can concentrate on the picture.
The TV features a standard remote with a cheerful
Smart Hub button in the center. Compared with the minimalism found in
some modern remotes, there are plenty of buttons here, but we'd give up
simplicity for more functionality in this case.
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Features
When it comes down to it, the E6500, E7000, and E8000 share nearly identical styling and picture-quality features. All three offer the same Real Black Pro panel, which involves both a change to the panel structure over the previous year and some software improvements.
When it comes down to it, the E6500, E7000, and E8000 share nearly identical styling and picture-quality features. All three offer the same Real Black Pro panel, which involves both a change to the panel structure over the previous year and some software improvements.
Unlike the flagship E8000, the 6500 and 7000 are missing Smart Interaction.
If you don't need a TV you can talk to or wave at, save yourself a bit
of cash and get the E6500 instead. The E7000 and E6500 are almost
impossible to tell apart judging from Samsung's Web site; the only
noncosmetic differences I can discern are that the E7000 has a dual-core
processor and a slightly thinner cabinet: 1.9 inches deep versus 2.2
inches.
Like all 2012 Samsung TVs, the PNE6500 comes with two pairs of active 3D glasses. It's also compatible with the Full HD 3D standard, so it works with other companies' compatible glasses. Check out this comparison for more.
Smart TV
Samsung's Smart Hub looks largely the same as last year. The main difference is that Samsung's home-grown apps are front and center -- Family Story, Fitness -- while the ones most people actually care about, such as Netflix, now appear smaller up at the top.
Samsung's Smart Hub looks largely the same as last year. The main difference is that Samsung's home-grown apps are front and center -- Family Story, Fitness -- while the ones most people actually care about, such as Netflix, now appear smaller up at the top.
The interface is as easy to use as any of the others, but I prefer the
simplicity of the uncluttered Panasonic or Sony interface to this. For
me, it's about how easily I can start up Netflix -- and based on some
tests among this and other TVs, it works out to about the same amount of
time whether you boot into the Smart Hub interface and choose it or use
a dedicated Netflix button as on the Sony TVs.
The content selection is very good in terms of major apps, with the exception of Amazon
Instant. The extensive app store offers more than the usual amount of
trash and treasure.
Samsung offers a Web browser, but using the
standard remote control to navigate it isn't the most enjoyable
experience. Thankfully, the TV supports the optional $100 Bluetooth
keyboard, but as most people now have phones or tablets nearby, there
isn't much need for a TV browser anyway.
Picture settings
Samsung offers three modes -- Vivid (yuck), Standard (dim), and Movie (a bit blue but workable) -- and each is adjustable. A number of advanced settings are available, namely a 10-point grayscale, which I found problematic this time around, and a great color-management system. The CinemaSmooth setting is designed to take advantage of 1080p/24 content, but there isn't a dedicated 100Hz antijudder circuit.
Samsung offers three modes -- Vivid (yuck), Standard (dim), and Movie (a bit blue but workable) -- and each is adjustable. A number of advanced settings are available, namely a 10-point grayscale, which I found problematic this time around, and a great color-management system. The CinemaSmooth setting is designed to take advantage of 1080p/24 content, but there isn't a dedicated 100Hz antijudder circuit.
Connectivity
The PNE6500's three HDMI inputs are ample, if one fewer than some competitors offer. If you're wall-mounting the set, it's worth noting that the TV has rear-facing ports rather than downward ones (found on the thinner 8 and 7 series), which could restrict the analog and one HDMI port from being used.
The PNE6500's three HDMI inputs are ample, if one fewer than some competitors offer. If you're wall-mounting the set, it's worth noting that the TV has rear-facing ports rather than downward ones (found on the thinner 8 and 7 series), which could restrict the analog and one HDMI port from being used.
The TV also offers two USB ports and a combined composite/component
port, which is RCA and not the proprietary kind; no more lost adapters!
Wireless and Ethernet connectivity are also included.
Picture quality
Just when you think plasmas can't get any better, that they've hit the point of diminishing returns, they surprise us with better picture quality each and every year. The E6500's picture is among the best of this or any other year, and better than anything ever offered for the same amount of money previously.
Just when you think plasmas can't get any better, that they've hit the point of diminishing returns, they surprise us with better picture quality each and every year. The E6500's picture is among the best of this or any other year, and better than anything ever offered for the same amount of money previously.
Click the image at the right to
see the picture settings used in the review and to read more about how
this TV’s picture controls worked during calibration.
Black levels are top-notch, with excellent shadow detail, and none of
the dimming of the picture in dark scenes that you'll see with the Sony
HX850. The one caveat to this is that the Samsung is limited by the
amount of light it can put out in the only good picture mode, Movie, so
contrast and pop aren't quite as good as on the Panasonic plasmas we've
tested. Color fidelity and saturation are excellent, and from children's
animation to nature documentaries, images are lively and -- in the
right cases -- lifelike. Skin tones are natural and there are none of
the color-stepping gradients that plasma used to suffer from in years
past.
Black level
For the price, the Samsung offers excellent levels of black and is every bit the equal of the excellent ST50 in this regard, albeit worse than the VT50. Compared with the Sony HX850, the Samsung's blacks are more consistent than that locally dimming TV can muster. Shadow detail is not forgotten with low-level details, giving depth to human figures and architecture.
For the price, the Samsung offers excellent levels of black and is every bit the equal of the excellent ST50 in this regard, albeit worse than the VT50. Compared with the Sony HX850, the Samsung's blacks are more consistent than that locally dimming TV can muster. Shadow detail is not forgotten with low-level details, giving depth to human figures and architecture.
Side by side with the E8000 it was apparent that
the two TVs were almost identical aside from the E6500's superior shadow
detail. The E6500's edge in shadow detail could be explained by
differences in calibration -- when we experimented by using the +1 gamma
setting on the E8000, its shadow detail improved. That said, the E8000
also supposedly offers a "Local Contrast Enhancer" that might be
affecting its shadow detail adversely.
In previous years, so-called brightness pops
-- a sudden brightening of blacks -- were a problem with some Samsung
plasmas, but only on a very limited number of movies, and it wasn't a
very big issue as far as I was concerned. If you're worried about it,
don't be; based on my tests with similar content on the pop-prone
PND7000, the E6500 doesn't suffer from this issue.
Color accuracy
Whether playing the grim, murky "Harry Potter and the Deathly Hallows: Part 2" or the effervescent children's movie "Rio," the Samsung exhibited excellent color reproduction. Some TVs can show an unnatural preponderance of blue or cyan but the Samsung stayed neutral. Compared with the Panasonic ST50 and VT50, the Samsung did seem a little desaturated on primary colors, but this was only slight. Skin tones from the movie "Star Trek" were quite natural, with neither undue "blushing" effects nor overt pastiness of any of the actors.
Whether playing the grim, murky "Harry Potter and the Deathly Hallows: Part 2" or the effervescent children's movie "Rio," the Samsung exhibited excellent color reproduction. Some TVs can show an unnatural preponderance of blue or cyan but the Samsung stayed neutral. Compared with the Panasonic ST50 and VT50, the Samsung did seem a little desaturated on primary colors, but this was only slight. Skin tones from the movie "Star Trek" were quite natural, with neither undue "blushing" effects nor overt pastiness of any of the actors.
Video processing
The TV was very good at replaying 24p content with Cinema Smooth mode enabled, with no jerkiness and none of the loss of black-level fidelity exhibited by some previous Samsung plasmas. Similarly, the TV was able to handle 1080i film-based material without any moire or other judder effects.
The TV was very good at replaying 24p content with Cinema Smooth mode enabled, with no jerkiness and none of the loss of black-level fidelity exhibited by some previous Samsung plasmas. Similarly, the TV was able to handle 1080i film-based material without any moire or other judder effects.
But elsewhere with lower-quality material, the
processing wasn't up to the level of the E8000. At 26:50 in "I Am
Legend," the protagonist walks into a vampire burrow, and the Samsung
displayed quite a bit more noise than any other of the TVs in the
lineup. Turning on Noise Reduction wasn't able to get rid of the problem
-- it just created some intense blurring.
Using a low-quality
cable source the difference between the E8000 and the E6500 is clear,
with higher levels of compression noise evident on the budget model. If
you watch a lot of SD cable or DVDs then the E8000 might be the best
choice between the two.
Bright lighting
In the past, I have always recommended that people with bright, sunny rooms buy an LCD, but TVs such as the Samsung E6500 have made me rethink this. Thanks to innovations such as Panasonic's louver filter and Samsung's Real Black Pro, the bright-room performance of many 2012 plasmas rivals that of LCDs. LCDs can still get brighter, especially in larger screen sizes, but modern plasma screens handle ambient light better than ever, and aside from the VT50, I haven't seen any TV do it better than the PNE6500.
In the past, I have always recommended that people with bright, sunny rooms buy an LCD, but TVs such as the Samsung E6500 have made me rethink this. Thanks to innovations such as Panasonic's louver filter and Samsung's Real Black Pro, the bright-room performance of many 2012 plasmas rivals that of LCDs. LCDs can still get brighter, especially in larger screen sizes, but modern plasma screens handle ambient light better than ever, and aside from the VT50, I haven't seen any TV do it better than the PNE6500.
With the curtains open and the summer sun streaming
through the windows, the Samsung performed very well with contrast
rivaling the Sony HX850. Surprisingly, the PNE6500 also outperformed the
E8000 at maintaining a deeper level of black -- a mystery to us since
the two TVs supposedly have the same screen filter.
The ST50 showed slightly gray blacks compared with the E6500 under full sunlight,
with the screens facing an open window during daytime. If you had a
toss-up between the two plasma TVs and daytime usage in a very bright
room was one of the main considerations, this difference would tip us in
favor of the Samsung. In more common, moderate bright-room situations,
however, the two were almost impossible to tell apart and did an equally
good job of handling reflections and preserving black levels.
3D
One other area where the 6500 falls down in comparison to the 8000 is 3D quality. There was significant cross-talk on the 6500 during our grueling "Hugo" test scene, which resulted in ghosting and "doubling up" of stereo images. If you watch a lot of 3D material, this TV isn't the one I'd go for.
One other area where the 6500 falls down in comparison to the 8000 is 3D quality. There was significant cross-talk on the 6500 during our grueling "Hugo" test scene, which resulted in ghosting and "doubling up" of stereo images. If you watch a lot of 3D material, this TV isn't the one I'd go for.
Power consumption
As expected from a large plasma screen, Standard mode was incredibly dim. When calibrated, the TV was still a little dimmer than usual, but the picture was much more usable.
As expected from a large plasma screen, Standard mode was incredibly dim. When calibrated, the TV was still a little dimmer than usual, but the picture was much more usable.
This year, due to the hard cap of 108 watts for any size TV imposed by Energy Star's 5.3 specification, nearly all 60-inch and larger Samsung plasmas fail to earn the blue sticker, as do the 51-inch members of the E8000 and E7000 series. The PN51E6500 is still Energy Star-compliant, however.
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